중국 무협 블록버스터 영상미 그리고 음악

유구하고도 깊고도 넓게 응축된 중국문화는 무협영화음악에 대화합, 천인합일 등의 독특한 심미적 가치를 부여하였다. 유가의 의경, 도가의 '강유상제(건강함과 유익함이 서로 보완함)', 선종의 '공작(천지가 텅 비어 있어 적막함)' 등은 무협영화음악에 자주 등장하여 무협영화음악의 미학적 표현의 발판이 되었다.

1장 중국 무협영화, 그 민족적 색채 1. 중국 무협영화의 기원과 발전······························································································15 중국 무협영화란 / 15 중국 무협영화의 100년사 / 19 2. 중국 무협영화의 전통적 색채와 체현············································································· 29 중국 무협영화의 색채적 기능 / 32 중국 무협영화의 내부 요소 / 38 중국 무협영화의 전통 색채관 및 전통 사상 / 44 2장 중국 무협영화 음악, 그 민족성과 현대성 1. 중국 현대음악의 거장, 탄둔······························································································· 55 탄둔의 창작 / 56 탄둔의 ‘무협영화 3부작’ / 60 2. 중국 무협영화 음악의 효과와 특징················································································ 63 영화음악 / 63 1) 음악과 화면 66 2) 액션과 리듬 68 3. 중국 무협영화 음악의 민족 요소······················································································· 72 오음과 오색 / 73 중국 전통음악과 전통악기 / 75 3장 〈와호장룡〉 애절한 로맨스, 영웅과 전설 1. ‘중서합벽’의 세계관을 가진 감독, 리안·········································································· 81 2. 탄둔의 음악 테마·················································································································· 83 3. 리안과 탄둔이 펼친 한 폭의 수목화················································································ 89 4. ‘와호장룡’ 첼로 테마：인물의 의상 색채와 음악························································· 92 5. ‘천월죽림’ 테마：공간 화면과 음악··············································································· 103 6. ‘남행’ 테마：결투 화면과 음악 ·························································································113 4장 〈영웅〉 강렬한 중국적 색채, 천하의 시작 1. 색채의 대가, 장이머우······································································································· 133 2. 탄둔의 음악 테마················································································································ 135 3. 장이머우와 탄둔이 펼친 영웅의 시대············································································ 138 4. ‘영웅’바이올린 테마：인물의 의상 색채와 음악························································ 142 5. ‘풍’, ‘천하’테마：공간 화면과 음악················································································ 155 6. ‘표’테마：결투 화면과 음악····························································································· 167 5장 〈야연〉 복수와 사랑, 그리고 욕망 1. 대륙판 ‘하세편’ 선두자, 펑샤오강···················································································179 2. 탄둔의 음악 테마················································································································ 183 3. 펑샤오강과 탄둔이 펼친 욕망의 세계··········································································· 185 4. ‘야연’의 테마： 인물의 의상 색채와 음악···································································· 187 5. ‘Only For Love’ 테마：인물 화면과 음악···································································· 207 5. ‘월인가’ 테마：결투 화면과 음악··················································································· 213 나가면서·····································································································································221 참고문헌·····································································································································230 악보··············································································································································239 1. 와호장룡 1~33 / 240 2. 영웅 / 273 3. 야연 / 303