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들어가며 : 프랑스 시의 역사적 전개와 미학적 변천 ····················3
I. 전기낭만주의 Pre-romantisme ? 23
샤토브리앙 Francois-Rene de Chateaubriand | ‘자아 Moi’와 ‘자연 Nature’
‘멜랑콜리와 숭고’의 산문 시학 ·········································27
마담 드 스탈 Madame(Germaine) de Stael | 사회 ‘Societe’와 ‘자유 Liberte’
‘문학과 제도’의 비평적 시학 ············································34
알로이시위스 베르트랑 Aloysius Bertrand | ‘환상 Fantastique’과 ‘회화성 Pittoresque’
‘산문시 Poeme en prose’의 원형 ········································42
II. 로망티즘 Romantisme ? 57
라마르틴 Alphonse de Lamartine | ‘과거 Passe’와 ‘현재 Present’
‘영원 Eternite의 시학’ ·····················································62
뮈세 Alfred de Musset | ‘댄디즘 Dandysme’과 ‘천재성 Genie’
‘고통과 열정의 시 세계’ ··················································86
비니 Alfred de Vigny | ‘고독 Solitude’과 ‘극기주의 Stoicisme’
‘침묵과 의지의 시학’ ···················································· 106
위고 Victor Hugo | ‘현실 Reel’과 ‘이상 Ideal’
‘우주적 형이상학의 시학’ ··············································126
III. 파르나스(고답파) Parnasse ? 149
고티에 Theophile Gautier | ‘형식 Forme’과 ‘순수 예술 Art pur’
‘예술을 위한 예술의 시학’ ·············································154
르콩트 드 릴 Leconte de Lisle | ‘객관성 Objectivite’과 ‘비개인성 Impersonnalite’
‘무관심의 미학’ ·························································· 171
IV. 상징주의 Symbolisme ? 191
네르발 Gerard de Nerval | ‘꿈(Le Reve)’과 ‘광기(La Folie)’
‘신비주의 상징의 시학’ ················································· 199
보들레르 Charles Baudelaire | ‘상응(Correspondances)’과 ‘현대성(Modernite)’
‘악의 꽃’의 시학 ························································· 215
베를렌 Paul Verlaine | ‘회색 Gris’과 ‘음악 Musique’
‘뉘앙스와 감각’의 시학 ················································236
로트레아몽 Comte de Lautreamont | ‘폭력 Violence’과 ‘변신 Metamorphose’
‘말도로르의 노래’와 ‘해체’의 시학 ···································254
라포르그 Jules Laforgue | ‘아이러니 Ironie’과 ‘우수 Spleen’
‘데카당스와 자유시 Vers libre’의 시학 ······························265
랭보 Arthur Rimbaud | ‘오르페우스 Orphee’와 ‘프로메테우스 Promethee’
‘투시자 Voyant’의 시학 ················································· 281
말라르메 Stephane Malarme | ‘절대 Absolu’와 ‘무 Neant’
‘부재(不在)와 암시’의 시학 ············································300
발레리 Paul Valery | ‘지성 Intelligence’과 ‘구조 Structure’
‘정신적 엄밀성’의 시학 ·················································320
